Showing posts with label Magic Kingdom. Show all posts
Showing posts with label Magic Kingdom. Show all posts

Saturday, February 02, 2013

The Pirates of the Caribbean Arrive at Walt Disney World



Swaggering, singing, brawling, and bawling “it’s a pirate’s life for me!!’ the rowdiest crew of swashbucklers ever to cheat Davy Jones’s locker finally have made a spectacle of themselves at Walt Disney World.

Pirates of the Caribbean, long one of the most popular attractions at Disneyland, opened its doors in Florida for the first time last December. Located in the brand-new Caribbean Plaza in Adventureland, the new show literally plunges adventurers into the 17th-century world of a Spanish seaport besieged by marauding buccaneers.


Setting the mood for the adventure to come, the Caribbean Plaza marketplace invites guests to wander in and out of tiny shops settled under red-tile roofs reminiscent of old Spanish architecture.

Once through the portals of the new attraction, guests find themselves in the musty dungeons of “El Castillo” — an old Spanish fortress. As they wander past arsenals en route to the landing dock where their flat-bottomed boats await them, the clank of steel and the occasional cry of a pirate echoes through the passageways.

Flickering lights on the walls of shadowy coves and an ancient ship riding at anchor on a moonlit bay greet seafarers as they prepare to cast off from the dock. The gentle sound of the surf and the lilting cries of seabirds are punctuated by the raucous laughter of unseen pirate crews, undoubtedly burying their ill-gotten loot.

Once underway, guests immediately find themselves in a misty grotto where a ghostly voice warns: “Dead men tell no tales!” And so it seems to be, for everywhere the eye can see rest skeletons in various stages of repose, some skewered through bony ribs with rusty knives of battles past, others collapsed alongside emptied treasure chests. A seagull, nesting on the cranium of his eyeless host, squawks angrily at the passing spectators.



As the boats pass into Hurricane Lagoon, howling winds, rain, and flashes of lightning startle even the most intrepid seafarers. And, as the eye adjusts to the spasmodically illuminated scene, a figure emerges at the wheel of a ship — steering no doubt into eternity, for his bones have lost all earthly thrust.

Suddenly, without warning, passengers plummet into a subterranean grotto and, as they disappear through a narrow cave-like passage, sinister voices warn them to “proceed at your own risk” for “ye may not survive to pass this way again!”

Once done cannot be undone, however. And for better or for worse, visitors who have ventured thus far soon will experience eye-to-eye confrontations with the rowdiest assembly of plundering blackguards since Blackbeard twirled his whiskers in ports of the Spanish Main.



Brought to life through the genius of the Disney-invented Audio-Animatronics® (an electronic system for animating three-dimensional figures), pirates of every description, Spanish grandees and winsome damsels, and a bevy of barnyard and domesticated beasts join together in an incredible re-creation of the sack of a portside town.

Guns thunder and pirates roar as a pirate galleon attacks a Spanish fort. With shells whistling around their heads and fizzles of steam escaping where hot shots hit the water near boats, guests drift through the initial battle for the taking of the town.

“Strike yer colors, ya bloomin’ cockroaches!” yells the pirate captain from the afterdeck of his ship.
“Aye! Take that you greengo peegs, you!” answers the Spanish defender of the fort.

The battle still rages as guests pass on to the next scene, where the magistrate of the town is being dunked unceremoniously in a well by pirates who want him to tell where the treasure is hidden.

“Do not tell heem, Carlos!” screams his wife from an upstairs window, hastily closing the shutters as pirates let go a shot in her direction.


Other pirates guard bound townsmen, still in their nightclothes, and one boisterous buccaneer pipes away at his flute, keeping time as the mayor bobs up and down in the town-square well.

In other parts of the city, the pirates are engaged in commerce of a dubious sort and other sport involving the fairer denizens of the city. One scene depicts a gaily bedecked rogue, blithely auctioning off the none-too-reluctant maidens of the town. In the foreground, a gorgeous redhead advertises her own charms, much to the chagrin of her less-endowed sisters.

“Strike yer colors ya brazen wench, no need to expose yer superstructure!” orders the pirate auctioneer, anxious to unload his less-attractive cargo.

“We wants the redhead! Pipe the redhead aboard!” yell his revelous mates, while goats, chickens, and a donkey add their comments to the occasion.

Laughing, singing, and shooting their guns into the air in sheer exuberance, the roistering pirates chase squealing maidens, harmonize with pigs, and try to tempt hissing cats to join in the fun.

As the boats pass through the burning city, the pirates join with a braying donkey and a howling dog to render their rollicking chantey at the top of their lungs.

“Yo ho, yo ho, a pirates life for me!” they bellow, as flames crackle and piles of booty litter the street.
But not all the pirates are so fortunate. As the strain of the pirates’ theme song fades with the view of the burning city, guests find themselves in the dungeon area. Here, while charred beams overhead threaten to collapse, a group of jailed brigands attempt to get the keys from a friendly dog, which wags his tail and stands his ground, key ring held firmly in his mouth.

Swiftly, the boats pass through the town’s arsenal and into the brightest scene of all. For here, where two Spanish guards sit firmly trussed together, is the enormous treasure of the town. Triumphant pirates sit midst towering heaps of glittering jewels, golden coins, and ropes of milky pearls.

Gleeful and inebriated with success, the plundering pirates scatter the treasure about and fire their weapons into the air. Ricocheting bullets zing off walls, falling dangerously near the passing boats, as a drunken parrot perched on a trunk sings his own version of the pirate song:
“Yo ho, yo ho, a parrot’s life for me… so, drink up me ‘earties, yo ho!”

The pirate’s expedition has ended in triumph, and as guests depart the final scene, a peg-legged, one-eyed pirate parrot with a tattoo on his close-clipped chest, warns disembarking adventurers to “keep a lookout for the movin’ gangplank! Steady as she goes, lubbers! Ye’ll be needin’ yer sea legs on that rollin’ gangplank!’
Premiered last December as the climax of Walt Disney Productions’ 50th Anniversary Year, the Pirates of the Caribbean will remain the high point for visitors to Walt Disney World for years to come.

From Walt Disney World Vacationland Magazine, Spring 1974.

Friday, June 10, 2011

Tomorrow evening the Main Street Electrical Parade Premieres

NEW PARADE PREMIERES

06.17.09 - Tomorrow evening at 9 p.m., the most ambitious outdoor spectacular since last year's "America On Parade" will premiere in the Magic Kingdom: Our Main Street Electrical Parade!


The Main Street Electrical Parade will be made up of nearly 100 performers and 30 fanciful float units using new techniques of "piping" light through fiber optics and outlining figures with micro-neon "threads" of light to create entirely new visual effects, all interspersed with row after row of twinkling lights.
With the cool evening air shrouding Main Street, the scene will be set for a pageant of enormous proportions, which will combine the latest in Disney "imagineering" to excite your eyes with sights of light in motion, and your ears with an incredible soundtrack.

As Main Street's lights dim, you will be confronted with Mickey Mouse atop the world's largest electrified drum, an eye-blinking hippopotamus, and 33 of our characters outlined in micro-neon light-swirls! The sparkling cavalcade of twinkling lights... over 500,000 strong... along with animation and musical entertainment will take place twice each night in the Magic Kingdom this summer at 9 pm and 11:30 pm.

The Main Street Electrical Parade will be made up of nearly 100 performers and 30 fanciful float units using new techniques of "piping" light through fiber optics and outlining figures with micro-neon "threads" of light to create entirely new visual effects, all interspersed with row after row of twinkling lights.

Winding down Main Street and through the Magic Kingdom in ten divisions, the parade features Alice in Wonderland riding atop one of three giant 15-foot high mushrooms. Huge snails and colorful ladybugs twist and turn along the parade route.

Cinderella rides in her magical pumpkin coach, while her fairy godmother changes the coach's color with a wave of her wand. In a spectacular underwater scene, called the Briny Deep, fiber optics are used to create an underwater set where fish, coral and colorful sea creatures perform a marine ballet followed by Monstro the Whale, spouting a sparkling shower of lights!

The spectacular finale has 33 Disney characters traced in sparkling lights and reflected in a myriad of rotating mirrors, a fitting end to the 30-minute parade.

Other parade units include the Blue Fairy from Pinocchio, whose gown stretches 15-feet to the street below; King Lion's Circus Parade with an elephant rotating merrily in a shower bath; all Seven Dwarfs in fully lighted mining regalia; and "It's A Small World" with child-like figures from many lands.

An electronic Moog Synthesizer produces a unique and lively musical score filled with original and familiar Disney tunes to "theme" each division in the parade. The exciting and unusual Moog music, similar to our popular "Electric Water Pageant" soundtrack, will actually be transmitted from atop Cinderella Castle to individual floats, where the radio signals will be amplified and broadcast from onboard sound systems. The basic musical theme is interwoven with counter-themes to produce a special song for each of the patade's divisions. Because all of the music is broadcast from a single transmitter, all of the tunes are heard in time with one another, and in tune with all the others!

PARADE REMARKABLY COMPLEX
Designed at Disneyland by some 20 artists under the direction, of Bob Jani, Vice President of Entertainment Division, the 30 float units were constructed by a crew of 70 workers who attached each individual light to its assigned spot on the facades.

About 20 craftspeople in our Walt Disney World Wardrobe Department produced the electric powered costumes. And more than 200 cast members are involved in each nightly performance!

A special low-voltage direct current (DC) system using 1,200 batteries transmits energy to more than 500,000 lightbulbs dotted across the 30 floats with 20 silent electric drive units powering them along. Over 12 miles of miniature electric cable is used in our Main Street Electrical Parade.

In addition to fiber optics, the parade also makes use of a new king of multicolored low voltage system of neon tubing, the only one of its kind.

And for those concerned with the energy output of our dazzling parade, the 500,000 parade lights will use approximately the same amount of energy as that which is saved by turning out the lights along the parade route as it passes by. The special electric drive units engineered by Disney technicians for the parade eliminates the need for gasoline powered floats as in conventional parades.

The Wardrobe Department used special safety materials so that lights could be installed along the outlines of performers' costumes. Some of the performers carry their own batteries, while others are designed to plug into the float units they walk along with.

Similar to "America On Parade", the Main Street Electrical Parade will be produced simultaneously at Walt Disney World and Disneyland throughout the summer months.

With some float units reaching almost to the ceiling, the Production Center lately has been the scene of over 200 cast members... both back stage technicians and on stage performers... preparing for tomorrow night's 9 pm premiere.

Although the 30 parade units were constructed in California, each had to be shipped to Florida, unloaded, assembled, tested and declared "ready" to go on stage for tomorrow night's premiere. This enormous task was given to the Entertainment Support Department, which is based at the Production Center complex. Pictured above is a scene typical for the 16 men of Entertainment Support ... they first carefully uncrate a huge wooden container carried from California on the back of a semi-truck rig, and remove the delicate parade parts enclosed. Then a heavy duty crane from the Reedy Creek Drainage Department lifts the main float structure from the trailer bed. While suspended in the air by the crane, an electric drive unit (as seen here being driven by Dewey Rewis, Entertainment Support Supervisor) is carefully positioned beneath the dangling structure and it is gently lowered until contact is made. Long bolts connect them together, electrical connections are made, and the float unit is driven into the Production Center for final readying.

From the June 10, 1977 edition of the Eyes and Ears employee newsletter, published by Walt Disney World.


Saturday, June 04, 2011

The Pirates of the Caribbean Arrive at Walt Disney World

06.04.11 - Avast there, ye lubbers, for the saltiest adventure ever to shake your sails!



Pirates, pirates everywhere! And guests will find themselves part of the swashbuckling action when they "take to the high seas," in Walt Disney World's newest attraction, Pirates of the Caribbean.
Swaggering, singing, brawling, and bawling "it's a pirate's life for me!!' the rowdiest crew of swashbucklers ever to cheat Davy Jones's locker finally have made a spectacle of themselves at Walt Disney World.

Pirates of the Caribbean, long one of the most popular attractions at Disneyland, opened its doors in Florida for the first time last December. Located in the brand-new Caribbean Plaza in Adventureland, the new show literally plunges adventurers into the 17th-century world of a Spanish seaport besieged by marauding buccaneers.

Setting the mood for the adventure to come, the Caribbean Plaza marketplace invites guests to wander in and out of tiny shops settled under red-tile roofs reminiscent of old Spanish architecture. Once through the portals of the new attraction, guests find themselves in the musty dungeons of "El Castillo" — an old Spanish fortress. As they wander past arsenals en route to the landing dock where their flat-bottomed boats await them, the clank of steel and the occasional cry of a pirate echoes through the passageways.

Flickering lights on the walls of shadowy coves and an ancient ship riding at anchor on a moonlit bay greet seafarers as they prepare to cast off from the dock. The gentle sound of the surf and the lilting cries of seabirds are punctuated by the raucous laughter of unseen pirate crews, undoubtedly burying their ill-gotten loot.

Once underway, guests immediately find themselves in a misty grotto where a ghostly voice warns: "Dead men tell no tales!" And so it seems to be, for everywhere the eye can see rest skeletons in various stages of repose, some skewered through bony ribs with rusty knives of battles past, others collapsed alongside emptied treasure chests. A seagull, nesting on the cranium of his eyeless host, squawks angrily at the passing spectators.

As the boats pass into Hurricane Lagoon, howling winds, rain, and flashes of lightning startle even the most intrepid seafarers. And, as the eye adjusts to the spasmodically illuminated scene, a figure emerges at the wheel of a ship — steering no doubt into eternity, for his bones have lost all earthly thrust.

Suddenly, without warning, passengers plummet into a subterranean grotto and, as they disappear through a narrow cave-like passage, sinister voices warn them to "proceed at your own risk" for "ye may not survive to pass this way again!"

Once done cannot be undone, however. And for better or for worse, visitors who have ventured thus far soon will experience eye-to-eye confrontations with the rowdiest assembly of plundering blackguards since Blackbeard twirled his whiskers in ports of the Spanish Main.

Brought to life through the genius of the Disney-invented Audio-Animatronics® (an electronic system for animating three-dimensional figures), pirates of every description, Spanish grandees and winsome damsels, and a bevy of barnyard and domesticated beasts join together in an incredible re-creation of the sack of a portside town.

Guns thunder and pirates roar as a pirate galleon attacks a Spanish fort. With shells whistling around their heads and fizzles of steam escaping where hot shots hit the water near boats, guests drift through the initial battle for the taking of the town.

"Strike yer colors, ya bloomin' cockroaches!" yells the pirate captain from the afterdeck of his ship. "Aye! Take that you greengo peegs, you!" answers the Spanish defender of the fort.

The battle still rages as guests pass on to the next scene, where the magistrate of the town is being dunked unceremoniously in a well by pirates who want him to tell where the treasure is hidden.

"Do not tell heem, Carlos!" screams his wife from an upstairs window, hastily closing the shutters as pirates let go a shot in her direction.

Other pirates guard bound townsmen, still in their nightclothes, and one boisterous buccaneer pipes away at his flute, keeping time as the mayor bobs up and down in the town-square well. In other parts of the city, the pirates are engaged in commerce of a dubious sort and other sport involving the fairer denizens of the city. One scene depicts a gaily bedecked rogue, blithely auctioning off the none-too-reluctant maidens of the town. In the foreground, a gorgeous redhead advertises her own charms, much to the chagrin of her less-endowed sisters.

"Strike yer colors ya brazen wench, no need to expose yer superstructure!" orders the pirate auctioneer, anxious to unload his less-attractive cargo.

"We wants the redhead! Pipe the redhead aboard!" yell his revelous mates, while goats, chickens, and a donkey add their comments to the occasion.

Laughing, singing, and shooting their guns into the air in sheer exuberance, the roistering pirates chase squealing maidens, harmonize with pigs, and try to tempt hissing cats to join in the fun. As the boats pass through the burning city, the pirates join with a braying donkey and a howling dog to render their rollicking chantey at the top of their lungs.

"Yo ho, yo ho, a pirates life for me!" they bellow, as flames crackle and piles of booty litter the street.

But not all the pirates are so fortunate. As the strain of the pirates' theme song fades with the view of the burning city, guests find themselves in the dungeon area. Here, while charred beams overhead threaten to collapse, a group of jailed brigands attempt to get the keys from a friendly dog, which wags his tail and stands his ground, key ring held firmly in his mouth.

Swiftly, the boats pass through the town's arsenal and into the brightest scene of all. For here, where two Spanish guards sit firmly trussed together, is the enormous treasure of the town. Triumphant pirates sit midst towering heaps of glittering jewels, golden coins, and ropes of milky pearls.

Gleeful and inebriated with success, the plundering pirates scatter the treasure about and fire their weapons into the air. Ricocheting bullets zing off walls, falling dangerously near the passing boats, as a drunken parrot perched on a trunk sings his own version of the pirate song: "Yo ho, yo ho, a parrot's life for me... so, drink up me 'earties, yo ho!"

The pirate's expedition has ended in triumph, and as guests depart the final scene, a peg-legged, one-eyed pirate parrot with a tattoo on his close-clipped chest, warns disembarking adventurers to "keep a lookout for the movin' gangplank! Steady as she goes, lubbers! Ye'll be needin' yer sea legs on that rollin' gangplank!'

Premiered last December as the climax of Walt Disney Productions' 50th Anniversary Year, the Pirates of the Caribbean will remain the high point for visitors to Walt Disney World for years to come.

From Walt Disney World Vacationland Magazine, Spring 1974.

Monday, May 02, 2011

The Matterhorn comes to the Magic Kingdom [1959]


The popular Skyway — the Swiss aerial cable-car trip between Fantasyland and Tomorrowland — passes directly through the Matterhorn Mountain, giving its passengers still other views of the colorful interior.
05.02.11 - Beautifully-hued grottos and caverns inside the Matterhorn are seen from the Skyway, the Swiss aerial cable cars, which now pass through the Mountain.

Thrilling bobsled runs down and through Disneyland's Matterhorn Mountain present a panoramic view of the Magic Kingdom, as well as a close look at the colorful Alpine grottos and caverns inside.

Rising skyward today at Disneyland is one of the most memorable sights in any land: the spectacular "snow-capped" Matterhorn Mountain.

Southern California's newest landmark is an exact replica of the famed peak in the Swiss Alps. Towering 146 feet above the Magic Kingdom, it's twice as high as the neighboring Sleeping Beauty Castle — once the tallest structure in the area.

Sight of the man-made Matterhorn alone will be a "show stopper," its "snowy" peak glistening in the Summer sun. From top to bottom, the Mountain is awesomely impressive, with every nook and cranny, slope and "snowcap" a perfect reproduction of its Alpine reality. But there's much more:
Two thrilling bobsled runs travel first to the near-summit, then circle downward to present a breath-taking panorama of the surrounding countryside. Before reaching the "glacier lake" below, the bobsleds glide through the Mountain itself for a view of Alpine caverns and grottos.


And now, the popular Skyway — the Swiss aerial cable-car trip between Fantasyland and Tomorrowland — passes directly through the Matterhorn Mountain, too, to give its passengers still other views of the colorful interior.

Once again, with the creation of the Matterhorn and other new attractions at the Magic Kingdom, Walt Disney has continued to fulfill his promise that Disneyland will always be adding new adventures that you and your family may participate in together.

From the Summer 1959 edition of Vacationland magazine, published by Disneyland.
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