Showing posts with label Spring. Show all posts
Showing posts with label Spring. Show all posts

Saturday, June 04, 2011

The Pirates of the Caribbean Arrive at Walt Disney World

06.04.11 - Avast there, ye lubbers, for the saltiest adventure ever to shake your sails!



Pirates, pirates everywhere! And guests will find themselves part of the swashbuckling action when they "take to the high seas," in Walt Disney World's newest attraction, Pirates of the Caribbean.
Swaggering, singing, brawling, and bawling "it's a pirate's life for me!!' the rowdiest crew of swashbucklers ever to cheat Davy Jones's locker finally have made a spectacle of themselves at Walt Disney World.

Pirates of the Caribbean, long one of the most popular attractions at Disneyland, opened its doors in Florida for the first time last December. Located in the brand-new Caribbean Plaza in Adventureland, the new show literally plunges adventurers into the 17th-century world of a Spanish seaport besieged by marauding buccaneers.

Setting the mood for the adventure to come, the Caribbean Plaza marketplace invites guests to wander in and out of tiny shops settled under red-tile roofs reminiscent of old Spanish architecture. Once through the portals of the new attraction, guests find themselves in the musty dungeons of "El Castillo" — an old Spanish fortress. As they wander past arsenals en route to the landing dock where their flat-bottomed boats await them, the clank of steel and the occasional cry of a pirate echoes through the passageways.

Flickering lights on the walls of shadowy coves and an ancient ship riding at anchor on a moonlit bay greet seafarers as they prepare to cast off from the dock. The gentle sound of the surf and the lilting cries of seabirds are punctuated by the raucous laughter of unseen pirate crews, undoubtedly burying their ill-gotten loot.

Once underway, guests immediately find themselves in a misty grotto where a ghostly voice warns: "Dead men tell no tales!" And so it seems to be, for everywhere the eye can see rest skeletons in various stages of repose, some skewered through bony ribs with rusty knives of battles past, others collapsed alongside emptied treasure chests. A seagull, nesting on the cranium of his eyeless host, squawks angrily at the passing spectators.

As the boats pass into Hurricane Lagoon, howling winds, rain, and flashes of lightning startle even the most intrepid seafarers. And, as the eye adjusts to the spasmodically illuminated scene, a figure emerges at the wheel of a ship — steering no doubt into eternity, for his bones have lost all earthly thrust.

Suddenly, without warning, passengers plummet into a subterranean grotto and, as they disappear through a narrow cave-like passage, sinister voices warn them to "proceed at your own risk" for "ye may not survive to pass this way again!"

Once done cannot be undone, however. And for better or for worse, visitors who have ventured thus far soon will experience eye-to-eye confrontations with the rowdiest assembly of plundering blackguards since Blackbeard twirled his whiskers in ports of the Spanish Main.

Brought to life through the genius of the Disney-invented Audio-Animatronics® (an electronic system for animating three-dimensional figures), pirates of every description, Spanish grandees and winsome damsels, and a bevy of barnyard and domesticated beasts join together in an incredible re-creation of the sack of a portside town.

Guns thunder and pirates roar as a pirate galleon attacks a Spanish fort. With shells whistling around their heads and fizzles of steam escaping where hot shots hit the water near boats, guests drift through the initial battle for the taking of the town.

"Strike yer colors, ya bloomin' cockroaches!" yells the pirate captain from the afterdeck of his ship. "Aye! Take that you greengo peegs, you!" answers the Spanish defender of the fort.

The battle still rages as guests pass on to the next scene, where the magistrate of the town is being dunked unceremoniously in a well by pirates who want him to tell where the treasure is hidden.

"Do not tell heem, Carlos!" screams his wife from an upstairs window, hastily closing the shutters as pirates let go a shot in her direction.

Other pirates guard bound townsmen, still in their nightclothes, and one boisterous buccaneer pipes away at his flute, keeping time as the mayor bobs up and down in the town-square well. In other parts of the city, the pirates are engaged in commerce of a dubious sort and other sport involving the fairer denizens of the city. One scene depicts a gaily bedecked rogue, blithely auctioning off the none-too-reluctant maidens of the town. In the foreground, a gorgeous redhead advertises her own charms, much to the chagrin of her less-endowed sisters.

"Strike yer colors ya brazen wench, no need to expose yer superstructure!" orders the pirate auctioneer, anxious to unload his less-attractive cargo.

"We wants the redhead! Pipe the redhead aboard!" yell his revelous mates, while goats, chickens, and a donkey add their comments to the occasion.

Laughing, singing, and shooting their guns into the air in sheer exuberance, the roistering pirates chase squealing maidens, harmonize with pigs, and try to tempt hissing cats to join in the fun. As the boats pass through the burning city, the pirates join with a braying donkey and a howling dog to render their rollicking chantey at the top of their lungs.

"Yo ho, yo ho, a pirates life for me!" they bellow, as flames crackle and piles of booty litter the street.

But not all the pirates are so fortunate. As the strain of the pirates' theme song fades with the view of the burning city, guests find themselves in the dungeon area. Here, while charred beams overhead threaten to collapse, a group of jailed brigands attempt to get the keys from a friendly dog, which wags his tail and stands his ground, key ring held firmly in his mouth.

Swiftly, the boats pass through the town's arsenal and into the brightest scene of all. For here, where two Spanish guards sit firmly trussed together, is the enormous treasure of the town. Triumphant pirates sit midst towering heaps of glittering jewels, golden coins, and ropes of milky pearls.

Gleeful and inebriated with success, the plundering pirates scatter the treasure about and fire their weapons into the air. Ricocheting bullets zing off walls, falling dangerously near the passing boats, as a drunken parrot perched on a trunk sings his own version of the pirate song: "Yo ho, yo ho, a parrot's life for me... so, drink up me 'earties, yo ho!"

The pirate's expedition has ended in triumph, and as guests depart the final scene, a peg-legged, one-eyed pirate parrot with a tattoo on his close-clipped chest, warns disembarking adventurers to "keep a lookout for the movin' gangplank! Steady as she goes, lubbers! Ye'll be needin' yer sea legs on that rollin' gangplank!'

Premiered last December as the climax of Walt Disney Productions' 50th Anniversary Year, the Pirates of the Caribbean will remain the high point for visitors to Walt Disney World for years to come.

From Walt Disney World Vacationland Magazine, Spring 1974.

Monday, April 11, 2011

Fantasmic From the spring 1992 edition of Disney News magazine

FANTASMIC!

05.13.92 - It's not a "ride" in the conventional sense, yet it promises to take Disneyland guests on a trip beyond imagining.



It is, in a word, "FANTASMIC!"

FANTASMIC! is the uncommon title for a most uncommon Disneyland experience scheduled for a spring debut: part magic show, part high-energy musical theater, and a large part special effects display featuring lights, lasers and fireworks. This combination is what led to the selection of that uncommon name.

FANTASMIC! incorporates properties of fantasy, "Fantasia," and phantasmagoria, defined by Webster as "1. an early type of magic-lantern show consisting of various optical illusions in which objects rapidly change size, blend into one another, etc.; 2. a rapidly changing series of things seen or imagined, as the figures or events of a dream."

It all takes place on Tom Sawyer Island, long after dark, when guests have departed and the Island is empty or is it? Guests gathered along the Riverfront suddenly notice lights emanating from the deserted Island. There, in the midst of blazing color, appears Mickey as the Sorcerer's Apprentice, dreaming up images from 60 years of Disney animation. And then the fun — or is it terror? — begins.

Every bit as much care and attention to detail has gone into this entertainment spectacle as is put into any new Theme Park attraction.

"Disneyland is made up of a variety of experiences," explains Bob McTyre, Vice President of Entertainment at Disneyland, "attractions, food, merchandise, characters, live entertainment. We try to make the whole work together.

"As part of that effort, we were looking at ways to make nighttime at Disneyland a more exciting place to be. And we were most interested in New Orleans Square. Although we have done shows on the River in the past, a real show experience had never been done there."


Creating the environment for the presentation of FANTASMIC! required months of construction, not to mention the temporary draining of The Rivers of America, the drydocking of the Mark Twain Riverboat and the Sailing Ship "Columbia," and some extensive overhauling of Tom Sawyer Island.

When the dust cleared, the reconstructed Island, the refilled River, and the restored River traffic all looked much the same as they did before...by day that is.

That's just one of FANTASMIC!'s many illusions. By night, FANTASMIC! transforms the River into something wonderful...and sometimes sinister.

Creating the show that will come to life in this new environment actually took years.

"We had been wanting to do a spectacle on the River for at least 10 years," says Mike Davis, Director of Entertainment at Disneyland. "When we saw 'IllumiNations' at Walt Disney World we started thinking about it again. Then, last year, Michael (Eisner, The Walt Disney Company Chairman and CEO) gave us the go-ahead to try something new, so we said, 'Let's finally do that River spectacular."'

Through the high-tech sorcery of FANTASMIC!, Mickey Mouse draws the audience into a world of his own vivid and colorful imagination.

Of course, Mickey has more than 60 years of spectacular memories stored up, so it should come as no surprise that, once he turns his imagination loose, he can conjure up a sensational array of images — enormous blooming flowers, giant dancing marionettes, swashbuckling "Peter Pan" pirates (aboard a full-scale pirate ship), and exotic "Jungle Book" beasts, including a gigantic Kaa, which slithers its 100-foot-long body around the tip of Tom Sawyer Island.

There are some malevolent forces at work in FANTASMIC! however. A formidable array of Disney villains invades Mickey's imagination for a thrilling climax, pitting Mickey against the likes of the Wicked Queen from "Snow White," the demon Chernabog from "Fantasia," Ursula the Sea Witch from "The Little Mermaid," and the towering, fire-breathing dragon from "Sleeping Beauty." It takes all the goodness Mickey can muster to end the nightmare and return Disneyland to its normal state as The Happiest Place on Earth.

In addition to a cast of nearly 50 live performers in hundreds of costumes and a variety of roles, FANTASMIC! features lasers, fog effects, specially choreographed water fountains, fireworks, fiber-optics technology and a full cast of creeping, floating, fire-breathing and generally intimidating monsters.

One innovative technique employed by FANTASMIC! has never before been seen in a Disney Theme Park. As Mickey works his magic, three massive mist screens, each one 50 feet wide, 30 feet high and 6 inches thick, will appear on the River alongside Tom Sawyer Island. These screens are so dense that actual film images can be projected upon them.


Show Director Barnette Ricci says that the research into entertainment special effects technology dates back to 1989 when Disneyland was preparing to celebrate its 35th Anniversary. "I had an idea for an anniversary show at the Castle that would take special effects techniques like lasers and mist screens and combine them with live performers," Ricci recalls, "so there was a lot of research done on the different technologies available.

"Of course, the 35th Anniversary show never came to fruition," she says, "but maybe that was fate. Because then we were given this opportunity to do something really unique, on the River, a spectacle of spectacles!"

The key, Ricci remembers, was the discovery of the new water-screen technology.

"We had already gleaned all this information about mist screens on which we could project light beams and lasers. Then we received a demo reel from a French company. It showed a water screen with the film projected on it.

"Seeing it made the whole show just fall into place," she recalls. "What if Disney animation was projected on to those screens? It would be incredible!"

While Ricci was creating a script which incorporated the full range of characters and creatures that could emerge from Mickey's imagination, she and others were also finding ways to present these beings in unique, sometimes startling ways.

Some of the chief illusions of FANTASMIC! are created using specially prepared versions of scenes from classic Disney animated films, images which seem to appear in the air above the River as they interact with the live performers. The action is punctuated by an array of special effects and by Bruce Healey's dramatic orchestral score.

This was not as simple as might first appear. Familiar film footage could not just be "plugged into" the presentation. It had to be cleverly adapted, reedited under Ricci's supervision, and re-scored by Healey.

"The challenge," Healey notes, "was to reflect all of the different emotions and attitudes in the show."

In response to that challenge, he created something akin to a full-scale movie score. It includes original themes which explore the whimsical and romantic aspects of Mickey's imagination, and others which provide heroic emphasis for the action highlights.

Healey also did fresh orchestrations of existing music — ranging from "Night on Bald Mountain" to "Someday My Prince Will Come" to "Pink Elephants on Parade."


While Healey was occupied with what the audience would hear, others were helping to create the things the audience would see. While many of the characters seen in FANTASMIC! may look familiar, costume designer Marilyn Sotto points out that the costumes needed an extra dose of Disney "sparkle" because of the darkness and distance from the audience. Mickey and his friends also needed something their outfits don't require on Main Street, U.S.A. — waterproof lining!

A few costumes include fiber-optic illumination. Many had to be designed for quick changes — from "Jungle Book" monkey to "Peter Pan" pirate, for example. And then there was the challenge of creating a costume that enables a performer to impersonate one of the fanciful, flexible pink elephants from Dumbo's dream.

Ask art director Tom Butsch what he's been doing for the past year and he'll tell you about giant flower petals, a hundred-foot-long snake "with search-light eyes," a giant crocodile and a villainess to whom he refers as "the 20-foot tall floating Ursula creature."

The most spectacular effect on which Butsch and Co. have had to work is the one which climaxes the villains' invasion of Mickey's imagination. Maleficent, the "Sleeping Beauty" sorceress, is transformed into a 40-foot dragon, breathing fire which literally ignites the surface of the River.

"We've been designing that dragon for over a year in various permutations," Butsch recalls. "I don't know how many hundreds of different ways of 'doing dragons' we considered, but it was plenty. The trick was to make it believable and scary and all the things it needed to be."

"We hope to involve the audience emotionally," says Mike Davis. "FANTASMIC! is visceral; it's scary and exciting. We're using a 'sound-surround' effect that will make you think the villains are right behind you, lasers shoot over the audience's heads, and you'll even feel the heat of the River on fire."

According to Bob McTyre, FANTASMIC! is expected to be a regular part of Disneyland for years to come.

"A lot of time, effort and expense has gone into infrastructure," says McTyre. "What we've done is build a new theater for Disneyland. The show can be changed when there are new ideas, new technology.

"We built a venue here at the River, a place to put on the kind of show we've never been able to do before at Disneyland. And we'll have it for a long time."

From the spring 1992 edition of Disney News magazine, published by Disneyland.

Monday, November 15, 2010

Disneyland Presents The Walt Disney Story

What Walt Disney and his staff did was to create for the world a realm of wonder and make believe never before experienced — and that fabulous world has become a part of our lives, a part of our culture. 


Walt Disney shown in his "formal" office at the Disney Studio in Burbank.
Most Americans and much of the world have grown up with pleasant memories of Dumbo, the Three Little Pigs, Cinderella and dozens of other characters of fact and legend as they were pictured by Disney. A whole generation watched television's Mouseketeers and thrilled to the exploits of Davy Crockett and Zorro. Millions of people have visited Disneyland in California and Walt Disney World in Florida. 

The man behind it all, Walt Disney, received nearly 1,000 plaques, scrolls, Emmys and Academy Awards for his work. The Walt Disney Story at Disneyland's Main Street Opera House exhibits many of these awards in honor of the man who always remembered that "it all started with a mouse." 

The exhibit is presented free by the Gulf Oil Corporation, and features Great Moments with Mr. Lincoln in the Opera House's 500-seat auditorium. 

One of the most intriguing displays of The Walt Disney Story concerns Disneyland. Surrounded by photographs taken during the building of the Park, a small viewing screen shows a speeded-up movie of the actual construction. Thus, the one-year-plus-one-day construction project, which turned an orange grove into a Magic Kingdom, is seen in only three minutes. 

The highlight of the attraction for many is a capsule history of Walt Disney's career. The short film features Disney himself as he tells the story in his own words. 

Guests see film clips from the earliest Disney cartoons (the "Alice" series), Mickey Mouse's first appearance in "Steamboat Willie," and how Disney advanced the art of film animation, beginning with his "Silly Symphony" series right up to "Mary Poppins." He also explains the philosophy behind the "Audio-Animatronics" figures developed by Walt Disney Productions for use at Disneyland and Walt Disney World. 

From the beginning, people began to collect anything bearing the imprint of Mickey Mouse or the other Disney characters — watches, toothbrushes, games, cups, bracelets, soap, candy. 

A few of these rare and valuable collector's items are displayed in a glass case towards the back of the exhibit area. There is an original Mickey Mouse watch, manufactured by Ingersoll in 1933, plus the five millionth and 25 millionth Mickey Mouse watches produced. 

On view also are books, clocks, dolls, glasses, plates, a toy stove, Christmas lights, an Emerson Mickey Mouse radio (circa 1933), records, a tea set — most of all of them manufactured in the 1930s or '40s. Today they are eagerly sought by dedicated collectors of Disneyana. 

Disney supervised his operations from two offices at the Disney Studio in Burbank, about 35 miles from Disneyland. They have been re-created as part of The Walt Disney Story, authentically furnished with pieces used during his lifetime. 

His "working" office was used for conferences with directors, writers, artists, and almost anyone involved in creating Disney projects. Behind his desk are a few of his favorite awards: a 1938 award for "Snow White and the Seven Dwarfs" from the International Film Festival in Venice, Italy; the very special Irving Thalberg Award, presented by the Academy of Motion Picture Arts and Sciences in 1942 for consistent high quality of Disney films; and an Oscar, symbolic of the 51 Academy Awards received by Walt Disney and his staff throughout the years. 

The other office, also re-created for The Walt Disney Story, is the "formal" office. It was used for appointments with special guests visiting the Studio and contained a baby grand piano. Leopold Stokowski played some of the music for "Fantasia" on it more than 39 years ago, and Richard M. and Robert D. Sherman used it to play songs from "Mary Poppins" in the 1960s. 

Behind the desk are two sketches of Disney's daughters, drawn by Norman Rockwell. Between them is a portion of Disney's miniature collection — animals, dolls and small figures gathered from around the world. 

The Walt Disney Story also includes a section on Disney's famous television creations: the Zorro and Davy Crockett series and the Mickey Mouse Club. Featured are Zorro's cape, sword and mask, an original Mouseketeer hat, and two Emmys, on for Best Variety Series (1955) and the other for Outstanding Achievement in Children's Programming (1964). 

One award that held a special place in Walt Disney's heart was the Oscar presented to him in 1932. This special award was given to him for the creation of Mickey Mouse, who, in a few short years, had become famous the world over. The Oscar presented to Disney now stands in a place of honor in The Walt Disney Story, surrounded by photographs from some of the early Mickey Mouse cartoons. 

A third film, shown in an area designed as an old-fashioned schoolroom, is devoted to Walt Disney, the Naturalist. The short movie, narrated by the "Audio-Animatronics" figure Y. Zol Owl, contains film clips from several of Disney's True-Life Adventure series. 

Launched in 1948 with the release of "Seal Island," the films are a continuing reminder of Disney's deep interest in ecology, the environment and the condition of man. 

Also on display in this area are various international awards and three Oscars, representative of the eight Academy Awards won by the 13 True-Life Adventure films. 

There is more: other international awards, pictures and posters of Mickey Mouse and Donald Duck, honorary degrees. 

The Walt Disney Story pays fitting tribute to a man whose genius made dreams come true — for himself, and for the world. 

From the Spring 1976 edition of Vacationland magazine, published by Disneyland.
Related Posts Plugin for WordPress, Blogger...